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M.O. [[Vickers]] | Pat M. [[Vottis]] | Bill [[Walther]] | Kerry S. [[Wathen]] | Robert [[Waughtel]] | [[Tim West]] | Steve [[Weiner]] (Broken Pipe) | [[Whidbey Islander Pipes]] | Randy [[Wiley]] | [[William Demuth Company]] (WDC) (see also [[S. M. Frank & Co. Inc.]]) | [[Windjammer Pipes]] (Justin Bain) | [[Yello-Bole]] see also ([[S.M. Frank & Co. Inc.]]) | M.O. [[Vickers]] | Pat M. [[Vottis]] | Bill [[Walther]] | Kerry S. [[Wathen]] | Robert [[Waughtel]] | [[Tim West]] | Steve [[Weiner]] (Broken Pipe) | [[Whidbey Islander Pipes]] | Randy [[Wiley]] | [[William Demuth Company]] (WDC) (see also [[S. M. Frank & Co. Inc.]]) | [[Windjammer Pipes]] (Justin Bain) | [[Yello-Bole]] see also ([[S.M. Frank & Co. Inc.]]) | ||
'''Amercan | '''Amercan Miscellaneous''' (Seconds, thirds, discontinued and liquidated brands): [[AM A-K]] | [[AM L-Z]] | ||
American pipe making is heavily influenced by the European schools, although Asian aesthetics, at least as they play out in pipes, have also become a notable influence. In particular, the Italian, English, and French schools, with their traditional shapes, have formed the basis for the work of many American pipe makers who have pored over collections of old Dunhills, Barlings, GBDs, Costellos, Savinelli's, etc. Many of these shapes were well established by the 1920s. Others are heavily influenced by the makers of Danish high grade pipes, who have likewise been influenced by their mentors, the fathers of the Danish freehand movement of the 1950's and '60s. | American pipe making is heavily influenced by the European schools, although Asian aesthetics, at least as they play out in pipes, have also become a notable influence. In particular, the Italian, English, and French schools, with their traditional shapes, have formed the basis for the work of many American pipe makers who have pored over collections of old Dunhills, Barlings, GBDs, Costellos, Savinelli's, etc. Many of these shapes were well established by the 1920s. Others are heavily influenced by the makers of Danish high grade pipes, who have likewise been influenced by their mentors, the fathers of the Danish freehand movement of the 1950's and '60s. | ||