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Stanwell Shape Numbers and Designers: Difference between revisions

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Stanwell Shape Numbers and Designers (view source)

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- JM, April 2023.
- JM, April 2023.


=== Standard shape numbers ===
=== Standard shape codes ===
[[File:Stanwell stems legend.png|thumb|Stanwell stem types, compiled by J. McNally using images courtesy of SmokingPipes.com.]]
[[File:Stanwell stems legend.png|thumb|An approximate guide to Stanwell stem types, compiled by J. McNally using images courtesy of SmokingPipes.com. Note that there are still variations within these stem types, such as longer tapered fantails on some shapes, and shorter on others, as well as 'hybrid' stem types, especially in Stanwell's Pipes of the Year, where designs are often more elaborate than standard catalog shapes.]]
 
==== Numbered shape codes ====
*01. There have been two versions of this shape number:
*01. There have been two versions of this shape number:
:a) Straight Dublin with a protruding heel, sloped rim, and stepped stem, by Sixten Ivarsson (late 1950s - see catalog below). This pipe was the first of the 'Nefertiti' design variations licensed to Stanwell by Sixten Ivarsson (see picture, right).
:a) Straight Dublin with a slightly conical bowl, protruding heel, sloped rim, and long stepped stem, by Sixten Ivarsson (late 1950s - see catalog below). This pipe was the first of the 'Nefertiti' design variations licensed to Stanwell by Sixten Ivarsson (see picture, right).
:b)  Bent pick-ax with a push flared stem, by Sixten Ivarsson (1975).
:b)  Bent pick-ax with a push flared stem, by Sixten Ivarsson.
[[File:004-001-1571.jpg|thumb|A variation of the 'Nefertiti' design made by Sixten Ivarsson in 1960. Note the tall bowl with a protruding heel at its base, along with a long, stepped stem, which would become signature motifs of this design across its many iterations and variations. Sixten Ivarsson licensed several variations of the 'Nefertiti' to Stanwell, such as the original shape 01 (whose shaping is closest to the one pictured) and shape 43(a).Image courtesy Smokingpipes.com]]
[[File:004-001-1571.jpg|thumb|A variation of the 'Nefertiti' design made by Sixten Ivarsson in 1960. Note the tall bowl with a protruding 'heel' at its base, along with a long, stepped stem, which would become signature motifs of this design across its many iterations and variations. Sixten Ivarsson licensed several variations of the 'Nefertiti' to Stanwell, such as the original shape 01 (whose shaping is closest to the one pictured) and shape 43(a).Image courtesy Smokingpipes.com]]
*02. Two versions of this shape number:
*02. Two versions of this shape number:
:a) Straight pot with an oval chamber and a flush flared stem, by Sixten Ivarsson.
:a) Straight pot with an oval chamber and a flush flared stem, by Sixten Ivarsson.
Line 34: Line 36:
*03. Two versions of this shape number:
*03. Two versions of this shape number:
:a) Slightly bent tall horn-bulldog hybrid with a diamond shank and short tapered stem (early 1950s - see catalog).
:a) Slightly bent tall horn-bulldog hybrid with a diamond shank and short tapered stem (early 1950s - see catalog).
:b) Straight billiard of medium size with a tapered stem.
:b) Straight billiard of medium size with a tapered, or long fantail (early), stem.
*03M: This shape is the same as 03(b) but with a vulcanite mount and push flared stem; 'M' is short for 'military,' as these shapes all feature a military/army mount of some variety.
*03M: This shape is the same as 03(b) but with a vulcanite mount and push flared stem; 'M' is short for 'military,' as these shapes all feature a military/army mount of some variety.
*04. Two versions of this shape number:
*04. Two versions of this shape number:
Line 96: Line 98:
:a) Bent Dublin with a round shank and tapered churchwarden stem (early 1950s - see catalog).
:a) Bent Dublin with a round shank and tapered churchwarden stem (early 1950s - see catalog).
:b) Bent brandy with a flattened front side and saddle mouthpiece.
:b) Bent brandy with a flattened front side and saddle mouthpiece.
:[[File:004-001-17189.9386.jpg|thumb|Stanwell's third shape 21, designed by Sixten Ivarsson, is a divisive one. A variation on Ivarsson's 'Potato Sack' design, the shape features a bowl whose ovular rim is angled 90 degrees away from the shank, and which appears to hang from the stem like a bag on a stick. Image courtesy Smokingpipes.com]]c) Slightly bent 'Potato Sack' with a stepped stem, by Sixten Ivarsson (pictured, right).
:[[File:004-001-17189.9386.jpg|thumb|Stanwell's third shape 21, designed by Sixten Ivarsson, is a divisive one. A variation on Ivarsson's 'Potato Sack' design, the shape features a bowl whose ovular rim is angled 90 degrees away from the shank, and which appears to hang from the stem like a bag on a stick. Image courtesy Smokingpipes.com]]c) Slightly bent 'Potato Sack' with a long stepped stem, by Sixten Ivarsson (pictured, right).
:c) Bent apple with a saddle stem (1980s - see catalog)
:c) Bent apple with a saddle stem (1980s - see catalog)
*22. Two versions of this shape number:
*22. Two versions of this shape number:
Line 105: Line 107:
:b) Bent strawberry with a rounded rim and saddle stem, by Sixten Ivarsson.
:b) Bent strawberry with a rounded rim and saddle stem, by Sixten Ivarsson.
*24. Three versions of this shape number:
*24. Three versions of this shape number:
:a) Straight, forward-canted Dublin with a stepped stem (early 1950s - see catalog); similar to Peterson's 'Belgique' shape.
:a) Straight, forward-canted Dublin with a long stepped stem (early 1950s - see catalog); similar to Peterson's 'Belgique' shape.
:b) Slightly bent Dublin with a sharp forward cant, an oval shank and a tapered stem, by Sixten Ivarsson.
:b) Slightly bent Dublin with a sharp forward cant, an oval shank and a tapered stem, by Sixten Ivarsson.
:c) Quarter-bent volcano, with a saddle or push flared stem, by Sixten Ivarsson.
:[[File:StanwellRoyalDanish24.jpg|thumb|A shape 24(c) from Stanwell's sub-brand, Royal Danish. While some of Stanwell's sub-brands use different shape codes and sometimes will deviate from the standard Stanwell model, this one appears to be a perfect copy, and was likely relegated to Royal Danish due to the quality of the briar. Image courtesy Colja Shoppe.]]c) Quarter-bent volcano, with a saddle or push flared stem, by Sixten Ivarsson.
*25. Three versions of this shape number:
*25. Three versions of this shape number:
:a) Footed cutty with a tapered stem (early 1950s - see catalog)
:a) Footed cutty with a long tapered stem (early 1950s - see catalog)
:b) Same as 24(a) but larger, by Sixten Ivarsson.
:b) Same as 24(a) but larger, by Sixten Ivarsson.
:c) Bent squat-apple with a rounded rim and a saddle stem, by Sixten Ivarsson.
:c) Bent squat-apple with a rounded rim and a saddle stem, by Sixten Ivarsson.
Line 119: Line 121:
*28. Bent brandy with a saddle stem.
*28. Bent brandy with a saddle stem.
*29. Straight billiard of medium size with a tapered stem.
*29. Straight billiard of medium size with a tapered stem.
*[[File:Img-116534-w1323-h700.jpg|thumb|A Sixten Ivarsson 'Peewit' from 1973. Ivarsson frequently returned to this design throughout his career as a pipemaker, licensing several variations to Stanwell, as well as continuing to make them under his own name. The Peewit would also come be reinterpreted by many artisan pipemakers, including in designs licensed to Stanwell by Tom Eltang, and Sixten's granddaughter, Nanna Ivarsson. Image courtesy The Danish Pipe Shop. ]]30. Bent strawberry with various possible stem configurations (thin stepped, thicker stepped, metal faux-spigot, horn ferrule with push flared stem, etc.), by Sixten Ivarsson. An example of Ivarsson's 'Peewit' design (see picture, right).
*[[File:Img-116534-w1323-h700.jpg|thumb|A Sixten Ivarsson 'Peewit' from 1973. Ivarsson frequently returned to this design throughout his career as a pipemaker, licensing several variations to Stanwell, as well as continuing to make them under his own name. The Peewit is distinguished by its strawberry-like or acorn-like conical bowl and raised shank, typically with a bent or quarter-bent angle to the overall pipe. The Peewit would also come be reinterpreted by many artisan pipemakers, including in designs licensed to Stanwell by Tom Eltang, and Sixten's granddaughter, Nanna Ivarsson. Image courtesy The Danish Pipe Shop. ]]30. Bent strawberry with various possible stem configurations (thin stepped, thicker stepped, metal faux-spigot, horn ferrule with push flared stem, etc.), by Sixten Ivarsson. An example of Ivarsson's 'Peewit' design (see picture, right).
*31. Three versions of this shape number:
*31. Three versions of this shape number:
:[[File:Stanwell 31 trap saddle.png|thumb|Stanwell's shape 31 as featured in the 1960s catalog (see below). Currently no images exist of this pipe outside of the catalog illustration, but its design is worth a picture (if you have one, please let me know - JM). The stem seems to be unique in that it combines elements of the trapezoidal saddle stem seen on many Sixten Ivarsson designs (such as shape 71) with the diamond motif of traditional bulldog pipes.]]a) Straight bulldog with a unique diamond-trapezoidal saddle stem (late 1950s - see catalog; pictured, see right).
:[[File:Stanwell 31 trap saddle.png|thumb|Stanwell's shape 31 as featured in the 1960s catalog (see below). Currently no images exist of this pipe outside of the catalog illustration, but its design is worth a picture (if you have one, please let me know - JM). The stem seems to be unique in that it combines elements of the trapezoidal saddle stem seen on many Sixten Ivarsson designs (such as shape 71) with the diamond motif of traditional bulldog pipes.]]a) Straight bulldog with a unique diamond-trapezoidal saddle stem (late 1950s - see catalog; pictured, see right).
Line 126: Line 128:
*32. Two versions of this shape number:
*32. Two versions of this shape number:
:a) Straight bulldog with a saddle stem; Stanwell’s first pipe shape (originally designed in 1942).
:a) Straight bulldog with a saddle stem; Stanwell’s first pipe shape (originally designed in 1942).
:[[File:Stanwell 32 bent dublin.jpg|thumb|For Stanwell's second shape 32, Sixten Ivarsson combined his Peewit motif with elements of a more traditional bent Dublin, creating a shape which is at once simple and difficult to put into words. Thankfully, a picture has been provided courtesy of Yuri at Blaik Pipes.]]b) Bent Dublin-strawberry hybrid with a rounded rim and saddle stem, by Sixten Ivarsson. Redesigned by Tom Eltang in the early 1990s.
:[[File:Stanwell 32 bent dublin.jpg|thumb|For Stanwell's second shape 32, Sixten Ivarsson combined his Peewit motif with elements of a more traditional bent, large-bowled Dublin, creating a shape which is at once simple and difficult to put into words. Thankfully, a picture has been provided courtesy of Yuri at Blaik Pipes.]]b) Bent Dublin-strawberry hybrid with a rounded rim and saddle stem, by Sixten Ivarsson. Redesigned by Tom Eltang in the early 1990s.
*33. Two versions of this shape number:
*33. Two versions of this shape number:
:a) Bent bulldog with a tapered stem.
:a) Bent bulldog with a tapered stem.
Line 144: Line 146:
*38. Two versions of this shape number
*38. Two versions of this shape number
:a) Lovat with a short saddle mouthpiece.
:a) Lovat with a short saddle mouthpiece.
:b) Small bent, short saddle mouthpiece.
:b) Bent, tall conical-bowled Dublin with a protruding heel and a long stepped stem, by Sixten Ivarsson. A variation on the Nefertiti design (late 1950s - see catalog).
*39. Freehand; larger 35a, by Sixten Ivarsson (late 1950s).
:c) Small bent, short saddle mouthpiece.*
*40. Small billiard, oval stem, saddle mouthpiece..
*39. Larger 35a, by Sixten Ivarsson (late 1950s).
*40. Small straight billiard with an oval stem and a saddle mouthpiece.
*41. Two versions of this shape number:
*41. Two versions of this shape number:
:a) Medium sized straight billiard with a military mount and tapered stem, by Sixten Ivarsson (late 1950s; last produced in 1980).
:a) Medium sized straight billiard with a military mount and tapered stem, by Sixten Ivarsson (late 1950s; last produced in 1980).
:b) Bent apple with a concave rim and saddle stem.
:b) Bent apple with a concave rim and saddle stem.
*42. Two versions of this shaper number
*42. Two versions of this shape number:
:a) Billiard, slightly bent, long saddle mouthpiece, by Sixten Ivarsson.
:a) Slightly bent billiard with a long stepped stem, by Sixten Ivarsson.
:b) Freehand, full bent, rectangular stem and mouthpiece.
:b) Oom-Paul style, full-bent with a large billiard bowl, an oblong shank and a saddle stem.
*43. Two versions of this shape number:
*43. Two versions of this shape number:
:a) A 'Nefertiti' variation; quarter-bent tall Dublin with a protruding heel and stepped stem, by Sixten Ivarsson.
:a) Quarter-bent tall Dublin with a protruding heel and stepped stem, by Sixten Ivarsson. A Nefertiti variation (late 1950s - see catalog).
:b) Full-bent, large, squat tomato with a saddle stem.
:b) Full-bent, large, squat tomato with a saddle stem.
*44. Two versions of this shape number:
*44. Two versions of this shape number:
:a) Small billiard, full mouthpiece.
:a) Small billiard, full mouthpiece.*
:b) Freehand, slightly bent, oval stem, short saddle mouthpiece (1975).
:b) Slightly bent billiard with a rounded-diamond shank and a short saddle stem (1975).
*45. Straight pot of medium size with a tapered stem (late 1950s).
*45. Straight, medium sized pot with a tapered stem (late 1950s - see catalog).
*46. Prince, medium size, full mouthpiece.
*46. Two versions of this shape number:
*47. Freehand; small slightly bent scoop with an oval shank and a tapered stem, by Anne Julie (late 1950s).
:a) Slightly bent pot with a saddle stem (late 1950s - see catalog).
*48. Freehand, egg-shaped bowl with rounded rim, long saddle mouthpiece, by Sixten Ivarsson.
:b) Short straight pot with a saddle stem.
*47. Small, slightly bent scoop with an oval shank and a tapered stem (late 50s - see catalog).
*48. Quarter-bent acorn with a stepped stem, by Sixten Ivarsson (1960s - see catalog).
*49. Two versions of this shaper number
*49. Two versions of this shaper number
:a) Slightly bent Dublin with an oval stem and tapered stem (late 1950s).
:a) Slightly bent Dublin with an oval shank and tapered stem (late 1950s - see catalog).
:b) Freehand, bent saddle mouthpiece.
:b) Freehand, bent saddle mouthpiece.*
*50. Two versions of this shape number:
*50. Two versions of this shape number:
:a) Bent Dublin with an oval bowl and saddle stem (late 1950s).
:a) Bent Dublin with an ovular rim and a saddle stem (late 1950s - see catalog).
:b) Large straight billiard with an oval shank and a tapered stem.
:b) Straight billiard with an oval stem and a trapezoidal saddle, or tapered, stem (1960s - see catalog).
*51. Small straight billiard with a tapered stem.
*51. Small straight billiard with a tapered stem.
*52. Medium straight billiard with a tapered stem.
*52. Medium straight billiard with a tapered stem.
Line 174: Line 179:
*53M. Same as 53 but with military mount and tapered stem.
*53M. Same as 53 but with military mount and tapered stem.
*54. Two versions of this shape number:
*54. Two versions of this shape number:
:a) Freehand, large bent, saddle mouthpiece, by Sixten Ivarsson.
:a) Same as 35a but with a flat rim, by Sixten Ivarsson.
:b) Short lovat with a saddle stem.
:b) Short lovat with a saddle stem.
*55. Two versions of this shape number:
*55. Two versions of this shape number:
Line 192: Line 197:
*63. Freehand, Plateau top, saddle mouthpiece, by Sixten Ivarsson.
*63. Freehand, Plateau top, saddle mouthpiece, by Sixten Ivarsson.
*63M. Same as 63, but with a vulcaanite mount and push flared stem.
*63M. Same as 63, but with a vulcaanite mount and push flared stem.
*64. Two versions of this shaper number
*64. Two versions of this shape number
:a) Freehand, Plateau top, saddle mouthpiece, by Sixten Ivarsson.
:a) Freehand, Plateau top, saddle mouthpiece, by Sixten Ivarsson.
:b) Bent billiard, medium size, full mouthpiece.
:b) Bent billiard, medium size, full mouthpiece.
:
*64M. Same as 64(a), but with a vulcanite ferrule and a push flared stem.
*65. Dublin, full mouthpiece.
*65. Dublin, full mouthpiece.
*66. “Chimney”, saddle mouthpiece.
*66. “Chimney”, saddle mouthpiece.
Line 208: Line 215:
*71L. A slightly larger version of Sixten Ivarsson's shape 71.
*71L. A slightly larger version of Sixten Ivarsson's shape 71.
*72. Billiard, medium size, full mouthpiece.
*72. Billiard, medium size, full mouthpiece.
*73. No shape
*73. No known shape.
*74. Canadian, medium size.
*74. Canadian, medium size.
*75. Freehand, slightly bent, oval stem & mouthpiece, by Sixten Ivarsson.
*75. Freehand, slightly bent, oval stem & mouthpiece, by Sixten Ivarsson.
Line 220: Line 227:
:a) Small billiard, saddle mouthpiece.
:a) Small billiard, saddle mouthpiece.
:b) Large bent billiard.
:b) Large bent billiard.
*81. Two versions of this shaper number
*81. Three versions of this shape number:
:a) “Chimney”, saddle mouthpiece.
:a) “Chimney”, saddle mouthpiece.
:b) Large billiard, saddle mouthpiece.
:b) Large billiard, saddle mouthpiece.
:c)  Bent apple with a slightly horizontally-squashed bowl (a little like a blowfish), with a saddle stem.
*82R. Large billiard, taper bit
*82R. Large billiard, taper bit
*83. Bent billiard of medium size with tapered stem (late 1950s).
*83. Bent billiard of medium size with tapered stem (late 1950s).
Line 234: Line 242:
:a) Freehand; tall bent egg with a stepped stem, by Sixten Ivarsson (late 1950s).
:a) Freehand; tall bent egg with a stepped stem, by Sixten Ivarsson (late 1950s).
:b) Bent Billiard saddle mouthpiece. (discontinued – 2006 and replaced with shape 246).
:b) Bent Billiard saddle mouthpiece. (discontinued – 2006 and replaced with shape 246).
* [[File:Stanwell 85R.jpg|thumb|Stanwell's 85R is a mysterious pipe. It is absent from all known catalogs and the shape itself is not easily put into words. Image courtesy Fae of Tobacco Treasures.]]85R. A unique, skater-style, flat-bottomed sitter with a tapered stem (see picture, right).
*86. Two versions of this shaper number
*86. Two versions of this shaper number
:a) Freehand, slightly bent, full mouthpiece by Sixten Ivarsson.
:a) Freehand, slightly bent, full mouthpiece by Sixten Ivarsson.
Line 242: Line 251:
:b) Large “Chimney”, full mouthpiece.
:b) Large “Chimney”, full mouthpiece.
:c) Freehand, conical bowl, long saddle mouthpiece by Sixten Ivarsson.
:c) Freehand, conical bowl, long saddle mouthpiece by Sixten Ivarsson.
*87R. Same as 87(b).
:d) Large ball, full mouthpiece.
:d) Large ball, full mouthpiece.
*88. Three versions of this shape number
*88. Three versions of this shape number
Line 262: Line 272:
*95. Two versions of this shaper number
*95. Two versions of this shaper number
:a) “Chimney”, full mouthpiece.
:a) “Chimney”, full mouthpiece.
:b) same as shape 86 but larger by Sixten Ivarsson.
:b) Same as shape 86, but larger, by Sixten Ivarsson.
*96. Freehand, oval bowl, long saddle mouthpiece by Sixten Ivarsson.
*96. Freehand, oval bowl, long saddle mouthpiece by Sixten Ivarsson.
*97. Two versions of this shaper number
*97. Two versions of this shaper number
Line 272: Line 282:
*99. Liverpool
*99. Liverpool
*100. Small apple-shaped bowl, author bent.
*100. Small apple-shaped bowl, author bent.
*101. 'Elegance' series; Quarter-bent small strawberry with an acrylic mount and long tapered stem. A reinterpretation of Sixten Ivarsson's shape 48.
*101. 'Elegance' series; Quarter-bent small strawberry with an acrylic mount and long tapered stem. A reinterpretation of Sixten Ivarsson's shape 48, by Sixten Ivarsson (1980s, see catalog).
*102. 'Elegance'; Bent apple with a concave rim, acrylic mount, and long tapered stem.
*102. 'Elegance'; Bent apple with a concave rim, acrylic mount, and long tapered stem, by Sixten Ivarsson (1980s, see catalog).
*103. 'Elegance'; Small billiard with an acrylic mount and a long tapered stem.
*103. 'Elegance'; Small billiard with an acrylic mount and a long tapered stem, by Sixten Ivarsson (1980s, see catalog).
*104. 'Elegance'; Quarter-bent wide Dublin with an acrylic mount and a long tapered stem. A reinterpretation of Sixten Ivarsson's shape 86.
*104. 'Elegance'; Quarter-bent wide Dublin with an acrylic mount and a long tapered stem. A reinterpretation of Sixten Ivarsson's shape 86, by Sixten Ivarsson (1980s, see catalog).
*105. 'Elegance'; Bent apple with an acrylic mount and a long tapered stem. A reinterpretation of Sixten Ivarsson's shape 08(b).
*105. 'Elegance'; Bent apple with an acrylic mount and a long tapered stem. A reinterpretation of Sixten Ivarsson's shape 08(b), by Sixten Ivarsson (1980s, see catalog).
*106. 'Elegance'; Quarter-bent tall Dublin with an acrylic mount and a long tapered stem. A reinterpretation of Sixten Ivarsson's shape 79.
*106. 'Elegance'; Quarter-bent tall Dublin with an acrylic mount and a long tapered stem. A reinterpretation of Sixten Ivarsson's shape 79, by Sixten Ivarsson (1980s, see catalog).
*107. Straight small billiard with a tapered stem.
*107. Straight small billiard with a tapered stem.
*108. Quarter-bent horn with a flush flared, or tapered fishtail, stem, by Tom Eltang.
*108. Quarter-bent horn with a flush flared, or tapered fishtail, stem, by Tom Eltang.
Line 285: Line 295:
*112. Freehand, slightly bent, short saddle mouthpiece.
*112. Freehand, slightly bent, short saddle mouthpiece.
*113. Canadian with conical bowl.
*113. Canadian with conical bowl.
*114.
*114. No known shape.
*115. Same as shape 111 with push mouthpiece..
*115. Same as shape 111 with push mouthpiece..
*116. Pot with oval stem.
*116. Pot with oval stem.
Line 315: Line 325:
*141. Billiard, medium size, conical bowl, full mouthpiece by Jess Chonowitsch.
*141. Billiard, medium size, conical bowl, full mouthpiece by Jess Chonowitsch.
*142. Freehand, bent, saddle mouthpiece by Jess Chonowitsch.
*142. Freehand, bent, saddle mouthpiece by Jess Chonowitsch.
*143.
*143. No known shape.
*144. Freehand, large bent, plateau top, long saddle mouthpiece by Jess Chonowitsch.
*144. Freehand, large bent, plateau top, long saddle mouthpiece by Jess Chonowitsch.
*145. Freehand, sloping bowl, long stem, short saddle mouthpiece by Jess Chonowitsch.
*145. Freehand, sloping bowl, long stem, short saddle mouthpiece by Jess Chonowitsch.
Line 321: Line 331:
*147. Small pot, oval stem, short saddle mouthpiece by Jess Chonowitsch.
*147. Small pot, oval stem, short saddle mouthpiece by Jess Chonowitsch.
*148. Canadian, short saddle mouthpiece by Jess Chonowitsch.
*148. Canadian, short saddle mouthpiece by Jess Chonowitsch.
*149.
*149. No known shape.
*150. Special series, “Junior”, small shapes, filter only.
*[[File:Stanwell Junior 152.jpg|thumb|A Stanwell 'Junior' shape 152. The 'Junior' line was a German-market series of pipes that were smaller than average, and accommodated 9mm filters as standard. Image courtesy Jack Ritter.]]150. Special series, “Junior”, small shapes, filter only.
*151. Same
*151. Same
*152. Same
*152. Same
Line 328: Line 338:
*154. Same
*154. Same
*155. Same
*155. Same
*156. Rhodesian by Jess Chonowitsch.
*156. Quarter-bent bulldog with a forward cant, by Jess Chonowitsch.
*157. Freehand, slightly bent, full mouthpiece by Jess Chonowitsch.
*157. Freehand, slightly bent, full mouthpiece by Jess Chonowitsch.
*158. Freehand, oval bowl, slightly bent, saddle mouthpiece by Jess Chonowitsch.
*158. Freehand, oval bowl, slightly bent, saddle mouthpiece by Jess Chonowitsch.
Line 341: Line 351:
*167. Freehand, “Omega”, with brass ring by Jess Chonowitsch.
*167. Freehand, “Omega”, with brass ring by Jess Chonowitsch.
*168. Freehand, “Golf”, with brass ring by Jess Chonowitsch.
*168. Freehand, “Golf”, with brass ring by Jess Chonowitsch.
*169. Large Billiard, conical bowl, full mouthpiece by Bang – 1986.
*169. Large Billiard, conical bowl, full mouthpiece by Jess Chonowitsch – 1986.
*170. Large “Rhodesian”, with brass ring, saddle mouthpiece by Bang.
*170. Large “Rhodesian”, with brass ring, saddle mouthpiece by Bang.
*171. Freehand “Hexagon”, large bent, with brass ring by Bang.
*171. Freehand “Hexagon”, large bent, with brass ring by Jess Chonowitsch.
*172. Freehand “Viking”, with brass ring by Jess Chonowitsch.
*172. Freehand “Viking”, with brass ring by Jess Chonowitsch.
*173. “Rhodesian”, with brass ring, full mouthpiece by Bang.
*173. “Rhodesian”, with brass ring, full mouthpiece by Bang.
Line 369: Line 379:
*195. Large but short Billiard, full mouthpiece.
*195. Large but short Billiard, full mouthpiece.
*196. Large but short Apple, full mouthpiece.
*196. Large but short Apple, full mouthpiece.
*197.
*197. No known shape.
*198. Freehand “Boa” with brass ring
*198. Freehand “Boa” with brass ring
*199. Featherweight, Billiard with hexagon stem and brass ring by Tom Eltang.
*199. Featherweight, Billiard with hexagon stem and brass ring by Tom Eltang.
Line 376: Line 386:
*202. Featherweight, Lovat.
*202. Featherweight, Lovat.
*203. Freehand “Diamond.
*203. Freehand “Diamond.
*204. Freehand, slightly bent, square bowl and stem, saddle mouthpiece.
*204. Freehand, slightly bent, square bowl and stem, saddle mouthpiece, by Tom Eltang.
*205. Freehand “Lotus” with brass ring.
*205. Freehand “Lotus” with brass ring.
*206. Freehand “Lilje” with brass ring.
*206. Freehand “Lilje” with brass ring.
Line 388: Line 398:
*214. Freehand, slightly bent, square stem and mouthpiece.
*214. Freehand, slightly bent, square stem and mouthpiece.
*215. Freehand, slightly bent, triangular stem, saddle mouthpiece by Poul Ilsted.
*215. Freehand, slightly bent, triangular stem, saddle mouthpiece by Poul Ilsted.
*216. Cutty.
*216. Zulu with tapered stem, by Tom Eltang.
*217. Freehand oval Horn by Jess Chonowitsch.
*217. Freehand oval Horn by Jess Chonowitsch.
*218.
*218. No known shape.
*219.
*219. No known shape.
*220. Liverpool.
*220. Liverpool.
*221.
*221. No known shape.
*222.
*222. No known shape.
*223. Bent Billiard, 6-face panel shank, full mounthpiece.
*223. Bent Billiard, 6-face panel shank, full mounthpiece.
*224.
*224. No known shape.
*225. Freehand with oval shank.
*225. Freehand with oval shank.
*226. Tulip.
*226. Tulip.
Line 423: Line 433:
*249. Fall, by Poul Winslow – 2005.
*249. Fall, by Poul Winslow – 2005.
*250. Winter, by Poul Winslow – 2005.
*250. Winter, by Poul Winslow – 2005.
*251.
*251. No known shape.
*252.
*252. No known shape
*253.
*253. No known shape
*254.
*254. No known shape
*255.
*255. No known shape
*256. Statement Series by Tom Eltang.
*256. Statement Series by Tom Eltang.
*257. Statement Series; Straight brandy with an oval shank and a trapezoidal saddle stem, by Tom Eltang.
*257. Statement Series; Straight brandy with an oval shank and a trapezoidal saddle stem, by Tom Eltang.
Line 433: Line 443:
*259. Statement Series; Slightly bent horn with a triangular shank and saddle stem, by Tom Eltang.
*259. Statement Series; Slightly bent horn with a triangular shank and saddle stem, by Tom Eltang.
*260. Statement Series; Slightly bent apple with a triangular shank and a saddle stem, by Tom Eltang.
*260. Statement Series; Slightly bent apple with a triangular shank and a saddle stem, by Tom Eltang.
*291 1/8 bent Apple.
*291. 1/8 bent Apple.
*402.
*406. Slightly bent Rhodesian (introduced after 2008).
*407.
*409.
*1240. Slightly bent pot with a flush flared stem, by Sixten Ivarsson (early 1960s - see catalog)
*1240. Slightly bent pot with a flush flared stem, by Sixten Ivarsson (early 1960s - see catalog)
*[[File:004-001-12170.jpg|thumb|After Bjarne Nielsen's passing in 2008, Stanwell released a version of what Bjarne's widow had described as his "favorite pipe." The result is a particularly stout - thought also short and lightweight - brandy-billiard in the Danish style. Image courtesy Smokingpipes.com.]]B1. 'Bjarne Nielsen'; Straight, large billiard with a tapered stem, designed based on one of [[Bjarne|Bjarne Nielsen]]'s pipes after his passing in 2008.  
*6458. Straight billiard; 'Featherweight' series (late 1950s - see catalog).
*Expand with more featherweights.
 
==== Lettered Shape Codes ====
*[[File:004-001-12170.jpg|thumb|After Bjarne Nielsen's passing in 2008, Stanwell released a version of what Bjarne's widow had described as his "favorite pipe." The result is a particularly stout - thought also short and lightweight - brandy-billiard in the Danish style. Image courtesy Smokingpipes.com.]]B1. 'Bjarne Nielsen'; Straight, large billiard with a tapered stem, designed based on one of [[Bjarne|Bjarne Nielsen]]'s pipes after his passing in 2008.
*Favorite 24. Slightly bent Dublin with a sharp forward cant, oval shank, and tapered stem. A reissue of Sixten Ivarsson's shape 24 (b).
*Favorite 24. Slightly bent Dublin with a sharp forward cant, oval shank, and tapered stem. A reissue of Sixten Ivarsson's shape 24 (b).
*Favorite 71L. Straight pear with an oval shank and a trapezoidal saddle stem. A reissue of shape 71L, which was itself a larger version of Sixten Ivarsson's shape 71.
*Favorite 71L. Straight pear with an oval shank and a trapezoidal saddle stem. A reissue of shape 71L, which was itself a larger version of Sixten Ivarsson's shape 71.
Line 444: Line 462:
*N4. Slightly bent apple with a white band and saddle stem, by Nanna Ivarsson.
*N4. Slightly bent apple with a white band and saddle stem, by Nanna Ivarsson.


=== Yearly pipes ===
=== Annual pipes ===
 
==== Pipe of the Year models ====
Each year since 1979, Stanwell has released a 'Pipe of the Year,' often designed by a notable figure in Danish pipe-making. It appears, however, that, at times, Stanwell has released two completely different pipes for a given year - one drilled to accommodate 9mm filters, and one with a standard bore.
Each year since 1979, Stanwell has released a 'Pipe of the Year,' often designed by a notable figure in Danish pipe-making. It appears, however, that, at times, Stanwell has released two completely different pipes for a given year - one drilled to accommodate 9mm filters, and one with a standard bore.
More recently, Stanwell has also released seasonal 'Christmas' pipes.
  [[File:Estate-Stanwell-POTY-Presmoked-The-Danish-Pipe-Shop-img-118989-w900-h319.jpg|thumb|Stanwell's first Pipe of the Year was a relatively conservative design; a simple, but elegant, dress billiard. Its designer is unknown, but it is around the same length and weight as the 03(b) shape.]]


* Christmas 2001. Quarter-bent Dublin with a bead-line on the rim, triangular shank, two silver bands and a saddle stem.
* Pipe of the Year 1979. Straight black dress billiard with a silver band and tapered stem (the first Pipe of the Year from Stanwell).
* Christmas 2001. Bent Dublin with an acrylic ferrule, a silver band and half-saddle stem.
* Christmas 2008. Bent volcano with a flush flared stem.
* Christmas 2009. Bent squat tomato with an acrylic ferrule and a saddle stem.


*[[File:Estate-Stanwell-POTY-Presmoked-The-Danish-Pipe-Shop-img-118989-w900-h319.jpg|thumb|Stanwell's first Pipe of the Year was a relatively conservative design; a simple, but elegant, dress billiard. Its designer is unknown, but it is around the same length and weight as the 03(b) shape.]]Pipe of the Year 1979. Straight black dress billiard with a silver band and tapered stem (the first Pipe of the Year from Stanwell).
*PotY 1980. Straight billiard with a tapered stem.
*PotY 1980. Straight billiard with a tapered stem.
*PotY 1981. Straight billiard with a tapered stem (the first POY to include dated silver plaque).
*PotY 1981. Straight billiard with a tapered stem (the first POY to include dated silver plaque).
*PotY 1982. Straight billiard with an oval shank and tapered stem.
[[File:StanwellPotYsBlueRoomBriars.jpg|thumb|Stanwell's Pipes of the Year from 1980 to 2017, as collated by Blue Room Briars. Note that this chart does not include the alternative 'Jahrespfeife'/PotY designs Stanwell also produced for 9mm filter users.]]
 
* PotY 1982. Straight billiard with an oval shank and tapered stem.
 
*PotY 1983. Straight pear with an oval shank and a trapezoidal saddle stem. A reproduction of Sixten Ivarsson's shape 89(a) design.
*PotY 1983. Straight pear with an oval shank and a trapezoidal saddle stem. A reproduction of Sixten Ivarsson's shape 89(a) design.
*PotY 1984. Straight billiard with a tapered stem.
*PotY 1984. Straight billiard with a tapered stem.
Line 465: Line 484:
*PotY 1989. Straight brandy with a tapered stem, by Jess Chonowitsch. A reproduction of Jess Chonowitsch's shape 141 design.
*PotY 1989. Straight brandy with a tapered stem, by Jess Chonowitsch. A reproduction of Jess Chonowitsch's shape 141 design.
*PotY 1990. Slightly bent forward-canted billiard with an oval shank and a saddle stem, by Tom Eltang.
*PotY 1990. Slightly bent forward-canted billiard with an oval shank and a saddle stem, by Tom Eltang.
*PotY 1991. Straight pot with a tapered stem, by Jess Chonowitsch/Horn-calabash hybrid with a tapered stem.
*PotY 1991. Straight pot with a tapered stem, by Jess Chonowitsch.
*PotY 1992. Zulu with a tapered stem, by Tom Eltang.
*PotY 1991b (alternate filter version). Horn-calabash hybrid with a tapered stem.
*PotY 1992. Zulu with a tapered stem, by Tom Eltang. A reproduction of Tom Eltang's shape 216 design.
*PotY 1993. Straight pear with an oval shank and a saddle stem, by Sixten Ivarsson. A reproduction of Sixten Ivarsson's shape 71 design.
*PotY 1993. Straight pear with an oval shank and a saddle stem, by Sixten Ivarsson. A reproduction of Sixten Ivarsson's shape 71 design.
*PotY 1994. Conflicting sources; either a straight billiard with a tapered stem; or a straight billiard with a paneled oval shank and tapered stem.
*PotY 1994. Straight billiard with a tapered stem.
*PotY 1995. Conflicting sources; either a quarter-bent wide Dublin with a square shank, by Tom Eltang; or a straight brandy with a saddle stem.
*PotY 1994b (filter). Straight billiard with a paneled oval shank and tapered stem. A reinterpretation of S. Bang's shape 178 design, with a larger shank to accommodate a 9mm filter.
*PotY 1995. Straight brandy with a saddle stem.
*PotY 1995b (filter.) Quarter-bent wide Dublin with a square shank, by Tom Eltang
*PotY 1996. Straight apple with a tapered stem.
*PotY 1996. Straight apple with a tapered stem.
*PotY 1997. Straight Dublin with a tapered stem, by Tom Eltang.
*PotY 1997. Straight Dublin with a tapered stem, by Tom Eltang.
*PotY 1998. Straight billiard with a short tapered stem, by Tom Eltang.
*PotY 1998. Straight billiard with a short tapered stem, by Tom Eltang.
*PotY 1999. Qurter-bent pot with a silver mount and flush flared stem, by Tom Eltang.
*PotY 1999. Qurter-bent pot with a silver mount and flush flared stem, by Tom Eltang.
*PotY 2000. Quarter-bent Dublin with a saddle stem, by Tom Eltang. Reproduction of shape 227, by Tom Eltang.
*PotY 2000. Quarter-bent Dublin with a saddle stem, by Tom Eltang. A reproduction of Tom Eltang's shape 227 design.
*PotY 2001. Straight Dublin with an oval shank and a tapered stem, by Tom Eltang. A reproduction of Tom Eltang's 228 design.
*PotY 2001. Straight Dublin with an oval shank and a tapered stem, by Tom Eltang. A reproduction of Tom Eltang's 228 design.
*PotY 2002. Conflicting sources; either a quarter-bent billiard with a silver faux-spigot and flare/saddle hybrid stem, by Tom Eltang; or a straight billiard with a saddle stem.
*PotY 2002. Straight billiard with a tapered stem.
*PotY 2002b (filter). Quarter-bent billiard with a silver faux-spigot and flare/saddle hybrid stem, by Tom Eltang.
*PotY 2003. Straight billiard with an oval shank and tapered stem, by Tom Eltang.
*PotY 2003. Straight billiard with an oval shank and tapered stem, by Tom Eltang.
*PotY 2004. Quarter-bent apple with an oval shank and a saddle stem, by Tom Eltang.
*PotY 2004. Quarter-bent apple with an oval shank and a saddle stem, by Tom Eltang.
*PotY 2005. Slightly bent apple with a triangular shank and flare/saddle hybrid stem, by Tom Eltang.
*PotY 2005. Slightly bent apple with a triangular shank and flare/saddle hybrid stem, by Tom Eltang.
*PotY 2006. Bent tall strawberry with a saddle stem, by Tom Eltang.
*PotY 2006. Bent tall strawberry with a saddle stem, by Tom Eltang.
*PotY 2007. Conflicting sources; either a straight squat Rhodesian with an oval shank and a tapered stem; or a slightly bent brandy with a concave rim and a flare/saddle hybrid stem, by Poul Winsløw.
*PotY 2007. Straight squat Rhodesian with an oval shank and a tapered stem.
*PotY 2008. Conflicting sources; either a slightly bent tall Rhodesian with an oval shank and tapered stem; or a bent billiard with two flush flared stems of differing lengths.
*PotY 2007b (filter) Slightly bent brandy with a concave rim and a flare/saddle hybrid stem, by Poul Winsløw.
*PotY 2009. Conflicting sources; either a quarter-bent Rhodesian with an oval shank and a saddle stem; or a bent brandy with a silver faux-spigot and a flare/saddle hybrid stem.
*PotY 2008. Slightly bent tall Rhodesian with an oval shank and tapered stem.
*PotY 2010 Straight long 'Bing' billiard with a tapered stem, by Tom Eltang.
*PotY 2008b (filter). Bent billiard with two flush flared stems of differing lengths.
*PotY 2009. Quarter-bent wide Dublin with an oval shank and a saddle stem.
*PotY 2009b (filter). Bent brandy with a silver faux-spigot and a flare/saddle hybrid stem.
*PotY 2010 Straight, long 'Bing' billiard with a tapered stem, by Tom Eltang.
*PotY 2011. Quarter-bent scoop with a silver trim and saddle stem.
*PotY 2011. Quarter-bent scoop with a silver trim and saddle stem.
*PotY 2012. Straight billiard with a flared push stem, by Tom Eltang.
*PotY 2012. Straight billiard with a flared push stem, by Tom Eltang.
Line 491: Line 517:
*PotY 2015. Quarter-bent panel sitter with a green saddle stem.
*PotY 2015. Quarter-bent panel sitter with a green saddle stem.
*PotY 2016. Bent Dublin with an acrylic trim and a flared push stem.
*PotY 2016. Bent Dublin with an acrylic trim and a flared push stem.
*PotY 2017. Straight squat Dublin with a saddle stem.
*PotY 2017. Straight squat Dublin with a saddle stem, designed by Poul Winsløw.
*PotY 2018. Straight Dublin with a flush flared stem.
*PotY 2018. Straight Dublin with a flush flared stem.
*PotY 2019. Straight brandy-lovat hybrid with a silver trim and saddle stem, by Johannes Gaarn Rasmussen (Suhr pipes).
*PotY 2019. Straight brandy-lovat hybrid with a silver trim and saddle stem, by Johannes Gaarn Rasmussen (Suhr pipes).
Line 498: Line 524:
*PotY 2022. Quarter-bent apple with a tapered stem. Based on Anne Julie's shape 36(b) design.
*PotY 2022. Quarter-bent apple with a tapered stem. Based on Anne Julie's shape 36(b) design.
*PotY 2023. Slightly bent cutty-egg hybrid with a tapered stem.
*PotY 2023. Slightly bent cutty-egg hybrid with a tapered stem.
==== Christmas pipes ====
For a time, Stanwell also released seasonal 'Christmas' pipes, some of which are recorded here:
* Christmas 2001. Quarter-bent Dublin with a bead-line on the rim, triangular shank, two silver bands and a saddle stem.
* Christmas 2001. Bent Dublin with an acrylic ferrule, a silver band and half-saddle stem.
* Christmas 2008. Bent volcano with a flush flared stem.
* Christmas 2009. Bent squat tomato with an acrylic ferrule and a saddle stem.
==== Championship pipes ====
Stanwell supplies several slow-smoking championships across Scandinavia with pipes for these occasions. These pipes do not have shape codes, but can be identified by a st'amp for the year of production and for the event they were made for, such as 'DM' for the Danish Championship (Danish: ''Danmarks mesterskab''), 'SSM' for the South Sealand Championship (Danish: ''Sydsjællands mesterskab)'', and so on. Stanwell often uses existing models for these championship pipes, but there have been occasions when a famous pipe maker has created a design especially for the occasion, such as the 1988 ''Danmarks mesterskab'' pipe, designed by [[Benner|Bent Nielsen]].
=== 'Jubilee' (Danish: ''Jubilaeum'') pipes ===
On occasion, Stanwell released special 'Jubilee' pipes, most notably in 1982 (40th), 1992 (50th), and 2002 (60th), though 'Jubilee' pipes do exist from Stanwell's 'registration era.'
For the 40th and 50th Jubilee, a number of iconic shapes were chosen from Stanwell's back catalog (including shapes no longer produced). Pipes could be purchased individually, or as a full set. Different shapes featured in the Jubilee ranges. In the 1982 range, pipes were offered in natural, red, and golden contrast stains. In the 1992 Jubilee range, stems could be either standard black vulcanite, or cumberland ebonite.
For the 40th (1942-1982) Jubilee, these shapes were:
* 32: Poul Stanwell's 32(a), the first shape designed for Stanwell, a classical straight bulldog, released in 1942.
* 71. Sixten Ivarsson's 71, a straight pear-billiard with a saddle stem.
* 118. Sixten Ivarsson's 118, a slightly bent volcano with a flush flared stem.
* 119. A quarter-bent Dublin, with an oval rim, and a saddle stem.
* 64. Sixten Ivarson's 64(a), a quarter-bent Dublin with a plateau rim and a flush flared stem.
* 64M. Sixten Ivarsson's 64M, a version of the 64(a) shape, but with a vulcanite ferrule and a push flared stem.
* 07. A quarter-bent apple with a diamond shank and a saddle stem.
* 53. A straight billiard of medium size, with a saddle stem.
* 108. Tom Eltang's quarter-bent horn/scoop hybrid with a flared flush stem.
* 113. A Canadian with a wide, short bowl.
* 156. Jess Chonowitsch's 156, a quarter-bent bulldog with a forward cant.
* 12. A large billiard with a tapered stem (12b).
* 57. A medium billiard with a tapered stem.
For the 50th (1942-1992) Jubilee, these shapes were:
* 32: Poul Stanwell's 32(a), the first shape designed for Stanwell, a classical straight bulldog, released in 1942.
* 06: Sixten Ivarsson's 06(a) bent Dublin, released in 1951.
* 70: Sixten Ivarsson's 70(a) bent volcano, released in 1967.
* 35. Anne Julie's 35(b) bent egg, released in 1975.
* 169. Jess Chonowitsch's 169 straight brandy/tulip, released in 1986.
* [[File:Stanwell Jubilee full set 1992.jpg|thumb|A six-day set of Stanwell's 1992 Jubilee pipes in their original case. Image courtesy Nicholas Gutierrez of NG Pipes.]]190. Tom Eltang's 190 hexagonal-shank billiard, as featured in the 'Sixtus' range, released in 1992.
[[File:Screenshot 20230417 001335 Etsy.jpg|thumb|A sandblasted Reg. era Stanwell from Poul Hansen's tenure. Image courtesy PipeClub & PipeClubEstates.]]
[[File:Screenshot 20230417 001335 Etsy.jpg|thumb|A sandblasted Reg. era Stanwell from Poul Hansen's tenure. Image courtesy PipeClub & PipeClubEstates.]]


Line 503: Line 570:
During the 1960s, Stanwell first started to sell what are commonly called called 'free hand' pipes, and were marketed as such. However, these pipes were only stamped with the Stanwell name and registration number, as well as "HAND MADE IN DENMARK" or "MADE IN DENMARK," and some were also stamped "de Luxe." The designs of these pipes did not conform to Stanwell's shape codes and established formal conventions (including for their stems); rather, their shaping was left to the whim of in-house carver, [[Hansen, Poul|Poul Hansen]]. These 'freehand' pipes were similar in design philosophy to those of carvers such as [[Holm, Preben|Preben Holm]], in that they were shaped in ways that emphasised natural grain patterns and explored unconventional compositions, rather than established pipe forms. These pipes were offered in sandblasted or smooth finishes, and in a number of stains. As it would be impossible to account for every 'free hand' shape Stanwell made under Poul Hansen's direction, a small selection of these pipes are instead pictured below.
During the 1960s, Stanwell first started to sell what are commonly called called 'free hand' pipes, and were marketed as such. However, these pipes were only stamped with the Stanwell name and registration number, as well as "HAND MADE IN DENMARK" or "MADE IN DENMARK," and some were also stamped "de Luxe." The designs of these pipes did not conform to Stanwell's shape codes and established formal conventions (including for their stems); rather, their shaping was left to the whim of in-house carver, [[Hansen, Poul|Poul Hansen]]. These 'freehand' pipes were similar in design philosophy to those of carvers such as [[Holm, Preben|Preben Holm]], in that they were shaped in ways that emphasised natural grain patterns and explored unconventional compositions, rather than established pipe forms. These pipes were offered in sandblasted or smooth finishes, and in a number of stains. As it would be impossible to account for every 'free hand' shape Stanwell made under Poul Hansen's direction, a small selection of these pipes are instead pictured below.


[[File:Screenshot 20230414 000542 eBay.jpg|left|thumb|A Reg. era freehand from Poul Hansen's tenure overseeing their production. Image courtesy Valeria Ebay.|alt=]]
[[File:Screenshot 20230414 000542 eBay.jpg|thumb|A Reg. era freehand from Poul Hansen's tenure overseeing their production. Image courtesy Valeria Ebay.|alt=]]


=== 'Bamboo' pipes ===
=== 'Bamboo' pipes ===
Line 514: Line 581:
[[File:Screenshot 20230415 032831 Etsy.jpg|thumb|A 'Rook' grade Stanwell from the Chess line. Image Courtesy DsTroveVintage.]]
[[File:Screenshot 20230415 032831 Etsy.jpg|thumb|A 'Rook' grade Stanwell from the Chess line. Image Courtesy DsTroveVintage.]]
In addition to the freehand shapes produced by Poul Hansen, Stanwell would later sell freehand-style pipes through the 'Chess' line, whose grading ran from Rook (lowest) to King (highest). The production of these pipes was originally overseen by Johann Larsen, before the task was handed over to [[Poul Winslow]].   
In addition to the freehand shapes produced by Poul Hansen, Stanwell would later sell freehand-style pipes through the 'Chess' line, whose grading ran from Rook (lowest) to King (highest). The production of these pipes was originally overseen by Johann Larsen, before the task was handed over to [[Poul Winslow]].   
=== Churchwarden pipes ===
Originally (early 1950s), Stanwell churchwarden pipes had separate shape codes, such as the shape 21(a).
[[File:Stanwell 848H.png|thumb|A sandblasted, half-sized (or demi-) churchwarden version of the shape 48, giving it the shape code 848H. Image courtesy Tony LaSala of Mr Stanwell Pipes.]]
In the 1960s and 1970s, some churchwarden pipes were redesigned using the stummel designs of existing shapes, such as the 30, with a letter added after the shape code designating whether the pipe was a demi-warden (H) or a full-sized churchwarden (L). Confusingly, other 1960s churchwardens had their own shape codes, with no extra letter appended, such as the 15(a). 
At some point in the 1980s, Stanwell introduced the first '''H. C. Andersen''' pipe (cutty shape, full churchwarden stem, unnumbered), effectively replacing the previous churchwarden models. These earlier churchwardens are not present in any of the 1980s catalogs.
in the early 1990s, Stanwell partnered with [[Karl Erik]] to design a range of '''H. C. Andersen''' pipes, which were numbered (though not following from existing shape numbering conventions), and which included two stems (full churchwarden and regular). These will be discussed below.


=== 'Superba' pipes ===
=== 'Superba' pipes ===
[[File:004-001-12713.jpg|thumb|A Superba freehand. Image courtesy Smokingpipes.com.]]
[[File:004-001-12713.jpg|thumb|A Superba freehand. Image courtesy Smokingpipes.com.]]
At some point between 1970 and 1990, Stanwell sold the 'Superba' line of pipes. These pipes were crafted in the same manner as their earlier freehand pipes and did not conform to Stanwell's catalog of established shapes, however 'Superba' pipes were still often closer to classical designs, or to designs in the emerging Danish tradition, than the freehand pipes Stanwell sold in the 1960s. Two examples are given below, as a means of indicating the range of design approaches found in 'Superba' pipes. These pipes were simply stamped 'Superba,' along with Stanwell's brand nomenclature, and were not numbered.
At some point between 1970 and 1990, Stanwell sold the 'Superba' line of pipes. These pipes were crafted in the same manner as their earlier freehand pipes and did not conform to Stanwell's catalog of established shapes, however 'Superba' pipes were still often closer to classical designs, or to designs in the emerging Danish tradition, than the freehand pipes Stanwell sold in the 1960s. Two examples are given below, as a means of indicating the range of design approaches found in 'Superba' pipes. These pipes were simply stamped 'Superba,' along with Stanwell's brand nomenclature, and were not numbered.
[[File:Screenshot 20230415 201936 eBay.jpg|thumb|A 'Superba' freehand. Image courtesy Valeria eBay.]]


=== Non-numbered shapes ===
=== 'TE' Pipes ===
When Tom Eltang worked as a sales representative for Stanwell, he procured a few pre-turned bowls from the Borup factory, which he finished himself to present when liaising with vendors across Europe. These pipes are distinguished by an encircled 'TE' in the nomenclature.
 
=== 'Winsløw' Pipes ===
When Poul Winsløw worked as a sales representative for Stanwell, he made his own versions of Stanwell shapes to present when liaising with vendors across Europe, sometimes with distinct design changes. These pipes are distinguished by the addition of 'WINSLØW' in the nomenclature.[[File:Screenshot 20230415 201936 eBay.jpg|thumb|A 'Superba' freehand. Image courtesy Valeria eBay.]]
 
=== Other non-numbered shapes ===
A few of Stanwell's post-1948 catalog shapes have not been designated by numbers, but instead by names. Some of these pipes have been reissues of popular shapes with a few minor adjustments, while some have been  original shapes, as with the Hans Christian Andersen line. Here they are listed alphabetically, along with corresponding shape numbers in the standard catalog, where applicable.  
A few of Stanwell's post-1948 catalog shapes have not been designated by numbers, but instead by names. Some of these pipes have been reissues of popular shapes with a few minor adjustments, while some have been  original shapes, as with the Hans Christian Andersen line. Here they are listed alphabetically, along with corresponding shape numbers in the standard catalog, where applicable.  


*Blowfish; originally Tom Eltang's shape 230.
*Blowfish; originally Tom Eltang's shape 230.
*Boa; shape 198.
*Boa; shape 198.
*Calabash; Jess Chonowitsch's shape 162
*Calabash; Jess Chonowitsch's shape 162 (1990s, see catalog).
*Compact; shape 235, originally used for the 'Island Pipe' series.
*Compact; shape 235, originally used for the 'Island Pipe' series.
*Diamond; shape 203
*Diamond; shape 203 (1990s, see catalog).
*Facet; Jess Chonowitsch's shape 163.
*Facet; Jess Chonowitsch's shape 163.
*Golf; Jess Chonowitsch's shape 168.
*Golf; Jess Chonowitsch's shape 168.
*Hans Christian Andersen No.1
*HC Andersen 2
*HC Andersen 3
*HC Andersen 4
*HC Andersen 5
*HC Andersen 6
*Hexagon
*Hexagon
*Lilje; shape 206.
*Lilje; shape 206.
Line 543: Line 618:
*Rhodesian; two versions, both designed by S. Bang, either their 170 or their 173.
*Rhodesian; two versions, both designed by S. Bang, either their 170 or their 173.
*Trio; Tom Eltang's shape 164 (not to be confused with the 'Trio' line of pipes).
*Trio; Tom Eltang's shape 164 (not to be confused with the 'Trio' line of pipes).
*Tulip
*Tulip; shape 226 (1990s, see catalog).
*Viking; Jess Chonowtisch's shape 172.
*Viking; Jess Chonowtisch's shape 172.


Line 550: Line 625:
*'''Tom Eltang:''' 32 (redesign), 84, 126, 129, 131,135, 136, 137, 138, 164, 177, 180, 181, 190, 204, 208, 209, 210, 211, 212, 213, 227, 232, POY 1986, POY 1987, POY 1988, POY 1990, POY 1992, POY 1996, POY 1997, POY 1998, POY 2000, POY 2001, POY 2002, POY 2003, POY 2004, POY 2005.
*'''Tom Eltang:''' 32 (redesign), 84, 126, 129, 131,135, 136, 137, 138, 164, 177, 180, 181, 190, 204, 208, 209, 210, 211, 212, 213, 227, 232, POY 1986, POY 1987, POY 1988, POY 1990, POY 1992, POY 1996, POY 1997, POY 1998, POY 2000, POY 2001, POY 2002, POY 2003, POY 2004, POY 2005.
*'''Jess Chonowitsch:''' 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 156, 157, 158, 159, 161, 162 (Calabash), 163 (Facet), 166, 167, 168, 171 (Hexagon), 172 (Viking), 217, POY 1985, POY 1989, POY 1991.
*'''Jess Chonowitsch:''' 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 156, 157, 158, 159, 161, 162 (Calabash), 163 (Facet), 166, 167, 168, 171 (Hexagon), 172 (Viking), 217, POY 1985, POY 1989, POY 1991.
*'''Poul Winslow:''' 207, 234
*'''Poul Winslow:''' 207, 234, POY 2017.
*'''Anne Julie:''' 26, 35, 36, 183
*'''Anne Julie:''' 26, 35, 36, 183


Line 566: Line 641:
*'''Diamond'''. Inclusion of a black or dark red acrylic shank accent sandwiched between thin brass bands, with no other design changes; or with an acrylic ferrule and a flared push stem if the ferrule serves as a faux-mount. No shape numbers, but standard shapes. Not to be confused with the '''Black Diamond''' line.
*'''Diamond'''. Inclusion of a black or dark red acrylic shank accent sandwiched between thin brass bands, with no other design changes; or with an acrylic ferrule and a flared push stem if the ferrule serves as a faux-mount. No shape numbers, but standard shapes. Not to be confused with the '''Black Diamond''' line.
*'''Flora Danica'''. Inclusion of either silver (red stained pipes) or gold (black stained pipes) floral band at the end of the shank. Standard shape codes.
*'''Flora Danica'''. Inclusion of either silver (red stained pipes) or gold (black stained pipes) floral band at the end of the shank. Standard shape codes.
*'''Gilt Edged''' Gilt Edged pipes were standard shapes, with standard shape codes, however the pipe designs included a golden band around the rim and the shank end, hence the name.
*'''Nostalgie'''. Nostalgie was a German market (filter) only line of classic, discontinued shapes from Stanwell's catalog. Each pipe featured a silver band and a plaque with the German word 'Nostalgie' (in English, 'Nostalgia') on it. No shape codes.
*'''Royal Bark'''. Royal Bark was a sandblast-only line sold in the 1950s. The shapes conformed to the standard shape catalog, however their numbering featured an extra digit at the front (e.g., 665 would be a shape 65 Dublin, but in a sandblasted finish).
*'''Royal Bark'''. Royal Bark was a sandblast-only line sold in the 1950s. The shapes conformed to the standard shape catalog, however their numbering featured an extra digit at the front (e.g., 665 would be a shape 65 Dublin, but in a sandblasted finish).
*'''Silhouette'''. Dark brown, almost black, stain, with no formal variations aside from an ivory band separating the stem from the shank. Standard shape codes.
*'''Silhouette'''. Dark brown, almost black, stain, with no formal variations aside from an ivory band separating the stem from the shank. Standard shape codes.
*'''Silver Mount'''. Inclusion of a metal faux-military mount. Standard shape codes.
*'''Silver Mount'''. Inclusion of a metal faux-military mount. Standard shape codes.
*'''Zebrano'''. Inclusion of a zebrawood shank accent. Standard shape codes.
*'''Zebrano'''. Inclusion of a zebrawood shank accent. Standard shape codes.
== Stanwell Catalogs Gallery ==
== Stanwell Catalogs Gallery ==


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