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The Art of Edward F. Burak, Dean of American Pipe Designers
Recently, prominent figures in the pipe collecting community have applauded Burak's work:
“Edward "Edward Burak is a pipe designer. And an artist. A purist, an art instructor, a historian—all historian - all held together with a childlike joy in everything around him. The Connoisseur Pipe Shop is ... filled with pipes like you have never seen elsewhere. Except, perhaps, in museums. The American Craft Museum included Connoisseur pipes in its 1990 tour, so Burak’s .. Burak's work has been seen in France, Germany, Poland, Switzerland, Spain, Greece ... 14 of his designs can be found in the [New York] Museum of Modern Art as well....
"Because these pipes are different, so carefully crafted, they not only please the eye, but educate it. Most pipe makers will start with an idea and work the wood toward that goal, but will change their original design desisgn to accommodate the briar. Burak does not allow the medium to modify the intent. Minor surface flaws are left on the pipes. No staining is permitted; all Connoisseurs have a natural finish, with only carnauba wax was added. That is not to say that the briar is unimportant to Burak. “I don’t "I don't even bother with anything but buy the finest materials…” materials ..." Although Burak is highly concerned with design, he is also acutely aware of the characteristics of his briar. ’The difference "The diffence between art and not art,’ says " say Burak, ‘is "is ethics. In every great work of art you see ethics … The ... the quality is there because it should be there.’”""
- Chuck Stanion, “Fine Art,” Pipes and tobaccos magazine,
Vol.3, No.1, Spring 1998.
"As I had been told, [Ed Burak’s] Burak's pipes are different. The man is different and the shop is different. [the The Connoisseur Pipe Shop] is a god damned art gallery of Ed’s Ed's pipes. Ed has a reputation for bluntness. Some people mistake that for meanness. He was not mean to me; he was only kind, even sweet in his way, and pedagogical, with a passion. The passion was for good pipes and good art. … the The 11:00 -2:00 session was a marvelous educational experience for me, and I’ll I'll never look at pipes the same way again.
"Ed Burak is primarily a designer, although he can make pipes. His executed designs achieve a number of goals, and I’ll I'll try to remember and relate what some of those goals are. One element for Ed is his profound respect for the worth of the classic shapes of the early English and French tradition. He insists that these designs became classics for good reasons and deserve that homage be paid to them. If you look at Ed’s Ed's designs, you can see how he realizes his inspiration from the classic shapes and takes off from them them. Fine jazz music comes to mind, like Art Tatum on the piano, or Stephane Grappelli on the violin. They don’t don't just make noise to titillate themselves. They take classics (or standards, if you prefer) and constantly depart and return to them, always respecting and reminding you of their original and intrinsic worth. That’s That's what Ed’s Ed's pipes remind me of, …, ... he wants to find out through exploration -- controlled, planned exploration--'what a pipe can be.'
"What he may not tell you, though, is that his pipes, combined, represent a body of work, as should any true artist’s artist's compiled works. He doesn’t doesn't like to talk about his works because he thinks that the pipes speak for themselves and that each true collector of his pipes will come to that realization on their own. I think Ed lives by a philosophy of honesty. And I believe his pipes are developed in the same way. I’m I'm pretty sure it’s it's a reflection of his honesty that his pipes come completely naked. They are just what they are. They’re They're not stained to cover flaws or highlight grain. They are never nevere adorned with silver or plastic. I find it entirely possible possibly that, when future generations look at briar pipes from this era worth saving, worth displaying, worth reflecting upon, the pipes they most value, by a long shot, will be Ed Burak’sBurak's. I could see shucking all of these pedestrian looking pipes and devoting myself to Connoisseur pipes."
- Marty Pulvers, “Marty "Marty Returns to New York and Meets Ed Burak," The Pipe Collector, Vol.9, No.5, Oct. 2001
In an article, called [[Go West]], which originally appeared in the French Pipe Mag, Erwin Van Hove has this to say about the dramatic influence Ed Burak has had on the American Pipe making scene:
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