S.E. Thile Pipes: Difference between revisions

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Being the only person attached to marketing who was so out of touch with today’s pipe circuit that he didn’t know who Scott was, made me a natural candidate to conduct a ‘new to us’ interview. Having no preconceptions about the maker reduces the chance of subconsciously skewing questions in a manner that would emphasize preconceived strengths and downplay perceived weaknesses, in both the man and his craft.
Being the only person attached to marketing who was so out of touch with today’s pipe circuit that he didn’t know who Scott was, made me a natural candidate to conduct a ‘new to us’ interview. Having no preconceptions about the maker reduces the chance of subconsciously skewing questions in a manner that would emphasize preconceived strengths and downplay perceived weaknesses, in both the man and his craft.


While, in theory, it’s the interviewer’s job to rapidly establish a sense of ease, from the start it was Scott’s geniality and enthusiasm that set the tone for relaxed conversation. Scott began smoking a pipe because an older colleague whom he admired, Charles Wheeler, smoked one and it seemed ‘incredibly cool’. Mr. Wheeler smoked Dunhill's 'My Mixture 965' and (thus) so did Scott, and '965' is still a staple in Thile's tobacco rotation today ('''Note:''' Actually, I'm pretty sure it was Dunhill 10, long since unavailable except for one coveted and vacuum sealed packet from my good friend, Michael DiCuccio's extensive tpbacco collection --[[User:Sethile|sethile]] ([[User talk:Sethile|talk]]) 09:54, 26 April 2018 (CDT)). It wasn't until 2004 that the idea of carving a pipe started to have some appeal; being an adroit woodworker, pipe carving seemed like a natural extension of already present talents.. ....In the tradition of most aspiring American carvers, he started with a kit, and (again) like most first time carvers, he was horrified with the outcome. [I'm afraid I must correct Bear here, because I took some pride in the ugly pipe I made not being from a kit. It was painstakingly drilled from a block on drill press using a modified vice I designed and built with the help of my friend Jim Barnet using a modified spade bit from Pimo, along with their tenon turning tool, which I used on a pre-molded stem. I faced the shank with a forstner bit. The mortise and draft hole were drilled with spur tipped wood drills --[[User:Sethile|sethile]] ([[User talk:Sethile|talk]]) 09:54, 26 April 2018 (CDT)) Scott, as I would soon come to find out, is a man who understands where his strengths lie, and he had little doubt that those strengths would eventually produce fine smoking instruments. Though his training has been largely autodidactic, Thile has spent time with [[Todd Johnson]] and [[B.A. Weaver Pipes|Bruce Weaver]] and cites Todd and [[Adam Davidson]] as influences ('''Note:''' I'd be surprised if I left them out, but  I should certainly have also mentioned [[J. Alan Pipes|Jeff Gracik]] and [[Pohlmann Pipes|Brad Pohlmann]] as major influences as well --[[User:Sethile|sethile]] ([[User talk:Sethile|talk]]) 09:54, 26 April 2018 (CDT). When asked what overarching aesthetic holds the most influence/fascination for his inner artist, Scott's answer was as interesting as it was succinct, "The Danish neo-classics as interpreted by the North American greats."
While, in theory, it’s the interviewer’s job to rapidly establish a sense of ease, from the start it was Scott’s geniality and enthusiasm that set the tone for relaxed conversation. Scott began smoking a pipe because an older colleague whom he admired, Charles Wheeler, smoked one and it seemed ‘incredibly cool’. Mr. Wheeler smoked Dunhill's 'My Mixture 965' and (thus) so did Scott, and '965' is still a staple in Thile's tobacco rotation today <span style="font-size:small">('''Note:''' Actually, I'm pretty sure it was Dunhill 10, long since unavailable except for one coveted and vacuum sealed packet from my good friend, Michael DiCuccio's extensive tpbacco collection --[[User:Sethile|sethile]] ([[User talk:Sethile|talk]]) 09:54, 26 April 2018 (CDT)).</span> It wasn't until 2004 that the idea of carving a pipe started to have some appeal; being an adroit woodworker, pipe carving seemed like a natural extension of already present talents. ...In the tradition of most aspiring American carvers, he started with a kit, and (again) like most first time carvers, he was horrified with the outcome. <span style="font-size:small">[I'm afraid I must correct Bear here, because I took some pride in the ugly pipe I made not being from a kit. It was painstakingly drilled from a block on drill press using a modified vice I designed and built with the help of my friend Jim Barnet using a modified spade bit from Pimo, along with their tenon turning tool, which I used on a pre-molded stem. I faced the shank with a forstner bit. The mortise and draft hole were drilled with spur tipped wood drills] --[[User:Sethile|sethile]] ([[User talk:Sethile|talk]]) 09:54, 26 April 2018 (CDT))</span>. Scott, as I would soon come to find out, is a man who understands where his strengths lie, and he had little doubt that those strengths would eventually produce fine smoking instruments. Though his training has been largely autodidactic, Thile has spent time with [[Todd Johnson]] and [[B.A. Weaver Pipes|Bruce Weaver]] and cites Todd and [[Adam Davidson]] as influences ('''Note:''' I'd be surprised if I left them out, but  I should certainly have also mentioned [[J. Alan Pipes|Jeff Gracik]] and [[Pohlmann Pipes|Brad Pohlmann]] as major influences as well --[[User:Sethile|sethile]] ([[User talk:Sethile|talk]]) 09:54, 26 April 2018 (CDT). When asked what overarching aesthetic holds the most influence/fascination for his inner artist, Scott's answer was as interesting as it was succinct, "The Danish neo-classics as interpreted by the North American greats."


By the end of what (usually) would have constituted as the only interview, I had his basic biographical history, insights about his craft, visions as a pipemaker, plus a pleasantly daunting list of additional interests and passions which eerily coincided with mine. It turned out that we were within a couple of months of the same age, as enthusiastic about acoustic jazz as we were ambivalent about its ‘smooth’ cousin, and started smoking a pipe within about 45 days of each other. On a lark, as something of a fun test question to discover just how close some of our thinking processes worked, I asked. “Stuck in traffic, you notice a huge truck in front of you with a personalized license plate that reads “Stud19”. What’s your first thought?” “That there are another 18 idiots out there with ‘Stud” on their license plates?” Oh yeah, a fellow traveler on the highway of Snark. In addition, I came away with a ton of cool (and usable!) tidbits. Things like he has played the bass since he was young, continues to keep his hand in as a professional even today, and his son (Chris) is a very gifted mandolin player.
By the end of what (usually) would have constituted as the only interview, I had his basic biographical history, insights about his craft, visions as a pipemaker, plus a pleasantly daunting list of additional interests and passions which eerily coincided with mine. It turned out that we were within a couple of months of the same age, as enthusiastic about acoustic jazz as we were ambivalent about its ‘smooth’ cousin, and started smoking a pipe within about 45 days of each other. On a lark, as something of a fun test question to discover just how close some of our thinking processes worked, I asked. “Stuck in traffic, you notice a huge truck in front of you with a personalized license plate that reads “Stud19”. What’s your first thought?” “That there are another 18 idiots out there with ‘Stud” on their license plates?” Oh yeah, a fellow traveler on the highway of Snark. In addition, I came away with a ton of cool (and usable!) tidbits. Things like he has played the bass since he was young, continues to keep his hand in as a professional even today, and his son (Chris) is a very gifted mandolin player.
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'''''Bear Graves: Media & Content Specialist'''''
'''''Bear Graves: Media & Content Specialist'''''
 
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|<center>'''About Podcast'''</center>
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*You may also like to listen to Brian Levine's interview with Scott on the [http://pipesmagazine.com/blog/radio-talk-show/the-pipes-magazine-radio-show-episode-10/ PipesMagazine.com Radio Show]
*You may also like to listen to Brian Levine's interview with Scott on the [http://pipesmagazine.com/blog/radio-talk-show/the-pipes-magazine-radio-show-episode-10/ PipesMagazine.com Radio Show]