5,741
edits
Ferndown: Difference between revisions
Jump to navigation
Jump to search
no edit summary
No edit summary |
No edit summary |
||
| Line 8: | Line 8: | ||
<blockquote><q>I started working at Dunhill’s in March 1963, in the silver mounting department working under Jack Spriggs he left the firm after I had been there for 2 years, and I took over the department, at that time I worked alone it was only when the department was relocated to the top floor that the increase of pipes that needed mounting we took on a trainee’s. After 19 years I was asked if I would buy the machinery and move out of the factory and set up on my own, so off I went, with me I took the staff that worked with me at that time, Robert Morris was the best, he could mount anything, he now has his own jewellery retail shop and makes some really nice handmade jewellery from his shop at Whitstable in Kent.<br> | <blockquote><q>I started working at Dunhill’s in March 1963, in the silver mounting department working under Jack Spriggs he left the firm after I had been there for 2 years, and I took over the department, at that time I worked alone it was only when the department was relocated to the top floor that the increase of pipes that needed mounting we took on a trainee’s. After 19 years I was asked if I would buy the machinery and move out of the factory and set up on my own, so off I went, with me I took the staff that worked with me at that time, Robert Morris was the best, he could mount anything, he now has his own jewellery retail shop and makes some really nice handmade jewellery from his shop at Whitstable in Kent.<br> | ||
I worked on Dunhill’s pipes from 1980/81 and soon built up a reputation as the firm to send you mounting to, as time went on and Dolly left Dunhill’s we decided to start to turn our own bowls and make our own pipes under | I worked on Dunhill’s pipes from 1980/81 and soon built up a reputation as the firm to send you mounting to, as time went on and Dolly left Dunhill’s we decided to start to turn our own bowls and make our own pipes under the name of my house.</q> Les Wood. Jan, 2020.</blockquote> | ||
<br> | <br> | ||
<div class="separator" style="clear: both; text-align: center;"></div> | <div class="separator" style="clear: both; text-align: center;"></div> | ||
| Line 17: | Line 17: | ||
[[Image:Wood.jpg|right|150px]] | [[Image:Wood.jpg|right|150px]] | ||
Due to diffuse worldwide rights to certain names, he sold his earlier pipes as " L.&J.S Briars", "Ellwood", "Les Wood" or "L. Wood". The average of presently 1500 - 2000 pipes a year are sold as '''"Ferndown"''' — named for the mansion he lives in - in the UK and US, but as "L. Wood" pipes in Germany. | Due to diffuse worldwide rights to certain names, he sold his earlier pipes as " L.&J.S Briars", "Ellwood", "Les Wood" or "L. Wood". The average of presently 1500 - 2000 pipes a year are sold as '''"Ferndown"''' — named for the mansion he lives in - in the UK and US, but as "L. Wood" pipes in Germany. | ||
<blockquote><q>Over the years I got to know a lot of retailers James Barber became good friends and he would buy most of my production in the early days, Eddy Kolpin in LA, I knew from his visits to Dunhill’s as a PPD, he contacted me and wanted to come over to the workshop to chat, within a week he came over and he became my USA agent, Dolly and I went to a lot of the RTDA’s in the USA and sales went through the roof. | |||
At times we were making 1200 pipes a year all handmade hand cut mouth pieces and as Dolly was so good at her job in finishing the result was the Ferndown that is sold today, after some time we decided to make all the pipes with Silver Bands, cap bands, spigots and army mounts. That’s when I stopped making any work for other pipe makers, so we could concentrate on our own work.</q> Les Wood. Jan, 2020.</blockquote> | |||
To many pipe dabsters, Les Wood's pipes embody the revival of great English pipemaking iitiated by Ashton in the early 1980's. The high grade Moroccan and Greek plateau he prefers is oil-cured in the tradition of both Dunhill and Ashton. The pipes are renowned for their pleasant, slightly nutty flavor and remarkable smoking characteristics. They feature impeccable craftsmanship extending to very good stem / bit work, though many pipes are often a bit heavier. | To many pipe dabsters, Les Wood's pipes embody the revival of great English pipemaking iitiated by Ashton in the early 1980's. The high grade Moroccan and Greek plateau he prefers is oil-cured in the tradition of both Dunhill and Ashton. The pipes are renowned for their pleasant, slightly nutty flavor and remarkable smoking characteristics. They feature impeccable craftsmanship extending to very good stem / bit work, though many pipes are often a bit heavier. | ||