Kharitonov: Difference between revisions

Jump to navigation Jump to search
m
no edit summary
mNo edit summary
mNo edit summary
Line 23: Line 23:
<small>If for smokers, then almost all of your smoking pipes are not suitable, for one simple reason. They are uncomfortable and impossible to hold in your hand. Look at your ‘Mermaid,’ ‘Goby,’ ‘Orange,’ and so on – these pipes do not have a comfortable position in the hand and therefore the average smoker is unlikely to ever buy them. If you make pipes for collectors, then there are no miracles in the world. First you must earn a name for yourself and become a famous master. Only then can you possibly get to selling pipes to collectors. You must decide for yourself what audience you will work for.”</small>
<small>If for smokers, then almost all of your smoking pipes are not suitable, for one simple reason. They are uncomfortable and impossible to hold in your hand. Look at your ‘Mermaid,’ ‘Goby,’ ‘Orange,’ and so on – these pipes do not have a comfortable position in the hand and therefore the average smoker is unlikely to ever buy them. If you make pipes for collectors, then there are no miracles in the world. First you must earn a name for yourself and become a famous master. Only then can you possibly get to selling pipes to collectors. You must decide for yourself what audience you will work for.”</small>


This feedback made Kharitonov to rethink his approach to pipe design, but it did not discourage him from continuing to explore unique and elaborate forms. He was strongly inspired by the work of other Russian pipe makers, such as [[Yashtylov|Victor Yashtylov]], [[Mikhail Revyagin|Michail Revyagin]], and [[Alexey Kharmalov]] – pipe makers who Kharitonov feels an affinity with because they all “think in the same language.”
This feedback had Kharitonov rethink his approach to pipe design, but it did not discourage him from continuing to explore unique and elaborate forms. He was strongly inspired by the work of other Russian pipe makers, such as [[Yashtylov|Victor Yashtylov]], [[Mikhail Revyagin|Michail Revyagin]], and [[Alexey Kharmalov]] – pipe makers who Kharitonov feels an affinity with because they all “think in the same language.”


[[File:Kharitonov current 2.jpg|thumb|A 2023 Kharinotov 'Apple.' ]]Soon Kharitonov’s pipes began to find a market. By the end of 2020, he had made 50 pipes, using the proceeds from their sales to purchase dedicated pipe making equipment. During 2021, he made 110 pipes, and had started receiving enough commission requests to quit his job and become a full-time pipe maker. He has continued to make pipes as a full-time job ever since, and has sold his pipes through vendors such as Blue Room Briars, Cup O' Joes, and Watch City Cigar. Despite his successes, Kharitonov says that he is still in search of his own style. “My only regret is that I didn't start making pipes 15-20 years earlier”, he says. 
[[File:Kharitonov current 2.jpg|thumb|A 2023 Kharinotov 'Apple.' ]]Soon Kharitonov’s pipes began to find a market. By the end of 2020, he had made 50 pipes, using the proceeds from their sales to purchase dedicated pipe making equipment. During 2021, he made 110 pipes, and had started receiving enough commission requests to quit his job and become a full-time pipe maker. He has continued to make pipes as a full-time job ever since, and has sold his pipes through vendors such as Blue Room Briars, Cup O' Joes, and Watch City Cigar. Despite his successes, Kharitonov says that he is still in search of his own style.  


Kharitonov typically makes his stummels from Calabrian briar and his stems from SEM ebonite. To accent his pipes, he sometimes uses inserts made of silver, cupronickel, or exotic woods, but his favorite adornment is fossilized mammoth tusk, which he uses frequently. He also enjoys working with bamboo, which he incorporates into many of his designs, often in ways that introduce dramatic curves not afforded by briar or ebonite.  
Kharitonov typically makes his stummels from Calabrian briar and his stems from SEM ebonite. To accent his pipes, he sometimes uses inserts made of silver, cupronickel, or exotic woods, but his favorite adornment is fossilized mammoth tusk, which he uses frequently. He also enjoys working with bamboo, which he incorporates into many of his designs, often in ways that introduce dramatic curves not afforded by briar or ebonite.  
952

edits

Navigation menu