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Axel Glasner: Difference between revisions
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This Svendborgian influence on Glasner’s pipes is evident in his work. Glasner pipes continue to explore motifs made famous by Ilsted and Tao, such as the parabolic curves and the faceting favoured by the former, or the stubbiness and the juxtaposition of straight and round lines that are signatures of the latter. | This Svendborgian influence on Glasner’s pipes is evident in his work. Glasner pipes continue to explore motifs made famous by Ilsted and Tao, such as the parabolic curves and the faceting favoured by the former, or the stubbiness and the juxtaposition of straight and round lines that are signatures of the latter. | ||
[[File:Axel Glasner pipe 3.jpg|left|thumb]] | |||
When it comes to making a pipe, Glasner considers it very important that he has a desired shape in mind and that this shape is realised precisely. ‘Precision’ is certainly a fitting word to describe Glasner’s pipes, whose geometrical figures and meticulous symmetry could easily be mistaken for the work of industrial machinery. | When it comes to making a pipe, Glasner considers it very important that he has a desired shape in mind and that this shape is realised precisely. ‘Precision’ is certainly a fitting word to describe Glasner’s pipes, whose geometrical figures and meticulous symmetry could easily be mistaken for the work of industrial machinery. | ||
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== Gallery == | == Gallery == | ||
[[File:Axel Glasner pipe 2.jpg|left|thumb]] | |||
[[File:Axel Glasner pipe 4.jpg|thumb]] | |||