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Stanwell Shape Numbers and Designers: Difference between revisions
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Stanwell Shape Numbers and Designers (view source)
Revision as of 18:21, 31 May 2023
, 11 months ago→A note on the text: adding 'No known shape' to empty numbers. Will return after more research.
(→A note on the text: adding 'No known shape' to empty numbers. Will return after more research.) |
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*71L. A slightly larger version of Sixten Ivarsson's shape 71. | *71L. A slightly larger version of Sixten Ivarsson's shape 71. | ||
*72. Billiard, medium size, full mouthpiece. | *72. Billiard, medium size, full mouthpiece. | ||
*73. No shape | *73. No known shape. | ||
*74. Canadian, medium size. | *74. Canadian, medium size. | ||
*75. Freehand, slightly bent, oval stem & mouthpiece, by Sixten Ivarsson. | *75. Freehand, slightly bent, oval stem & mouthpiece, by Sixten Ivarsson. | ||
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*112. Freehand, slightly bent, short saddle mouthpiece. | *112. Freehand, slightly bent, short saddle mouthpiece. | ||
*113. Canadian with conical bowl. | *113. Canadian with conical bowl. | ||
*114. | *114. No known shape. | ||
*115. Same as shape 111 with push mouthpiece.. | *115. Same as shape 111 with push mouthpiece.. | ||
*116. Pot with oval stem. | *116. Pot with oval stem. | ||
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*141. Billiard, medium size, conical bowl, full mouthpiece by Jess Chonowitsch. | *141. Billiard, medium size, conical bowl, full mouthpiece by Jess Chonowitsch. | ||
*142. Freehand, bent, saddle mouthpiece by Jess Chonowitsch. | *142. Freehand, bent, saddle mouthpiece by Jess Chonowitsch. | ||
*143. | *143. No known shape. | ||
*144. Freehand, large bent, plateau top, long saddle mouthpiece by Jess Chonowitsch. | *144. Freehand, large bent, plateau top, long saddle mouthpiece by Jess Chonowitsch. | ||
*145. Freehand, sloping bowl, long stem, short saddle mouthpiece by Jess Chonowitsch. | *145. Freehand, sloping bowl, long stem, short saddle mouthpiece by Jess Chonowitsch. | ||
| Line 325: | Line 325: | ||
*147. Small pot, oval stem, short saddle mouthpiece by Jess Chonowitsch. | *147. Small pot, oval stem, short saddle mouthpiece by Jess Chonowitsch. | ||
*148. Canadian, short saddle mouthpiece by Jess Chonowitsch. | *148. Canadian, short saddle mouthpiece by Jess Chonowitsch. | ||
*149. | *149. No known shape. | ||
*150. Special series, “Junior”, small shapes, filter only. | *150. Special series, “Junior”, small shapes, filter only. | ||
*151. Same | *151. Same | ||
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*195. Large but short Billiard, full mouthpiece. | *195. Large but short Billiard, full mouthpiece. | ||
*196. Large but short Apple, full mouthpiece. | *196. Large but short Apple, full mouthpiece. | ||
*197. | *197. No known shape. | ||
*198. Freehand “Boa” with brass ring | *198. Freehand “Boa” with brass ring | ||
*199. Featherweight, Billiard with hexagon stem and brass ring by Tom Eltang. | *199. Featherweight, Billiard with hexagon stem and brass ring by Tom Eltang. | ||
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*216. Cutty. | *216. Cutty. | ||
*217. Freehand oval Horn by Jess Chonowitsch. | *217. Freehand oval Horn by Jess Chonowitsch. | ||
*218. | *218. No known shape. | ||
*219. | *219. No known shape. | ||
*220. Liverpool. | *220. Liverpool. | ||
*221. | *221. No known shape. | ||
*222. | *222. No known shape. | ||
*223. Bent Billiard, 6-face panel shank, full mounthpiece. | *223. Bent Billiard, 6-face panel shank, full mounthpiece. | ||
*224. | *224. No known shape. | ||
*225. Freehand with oval shank. | *225. Freehand with oval shank. | ||
*226. Tulip. | *226. Tulip. | ||
| Line 427: | Line 427: | ||
*249. Fall, by Poul Winslow – 2005. | *249. Fall, by Poul Winslow – 2005. | ||
*250. Winter, by Poul Winslow – 2005. | *250. Winter, by Poul Winslow – 2005. | ||
*251. | *251. No known shape. | ||
*252. | *252. No known shape | ||
*253. | *253. No known shape | ||
*254. | *254. No known shape | ||
*255. | *255. No known shape | ||
*256. Statement Series by Tom Eltang. | *256. Statement Series by Tom Eltang. | ||
*257. Statement Series; Straight brandy with an oval shank and a trapezoidal saddle stem, by Tom Eltang. | *257. Statement Series; Straight brandy with an oval shank and a trapezoidal saddle stem, by Tom Eltang. | ||