UNE DUNHILL DE L’EPOQUE DUKE STREET

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UNE DUNHILL DE L’EPOQUE DUKE STREET’, by John C Loring
Contributed and translated by Jean-Christophe Bienfait

J’ai fait récemment l’acquisition d’une pipe des plus remarquables, une Dunhill ¾ bent de l’époque "Duke Street " vers 1915, d’une taille correspondant à peu près à une des premières 120. Une " DR" avec un grain facilement égal sinon meilleur que celui d’une DR E ou F des années 60. Les catalogues Dunhill prouvent que dans les années 1910 et 1920 Dunhill a réalisé quelques grains droits (straight grain) exceptionnelles mais bien que j’ai eu ou vu un bon nombre de DR des premiers temps cette pipe est la seule que j’ai réellement vu qui possède un grain de qualité « catalogue ».


Loring-ADukeStDR1.jpg


Mais au-delà de sa beauté j’ai trouvé que c’était une pipe très intéressante. D’abord, elle possède une nomenclature unique, un petit " stop " ovale spécifique avant le marquage DUNHILL. Vous vous souviendrez que dans un article plus ancien j’avais exposé qu’à partir des catalogues et d’une enquête dans les collections, il semble que jusqu’au milieu des années 20 Dunhill avait trois grades de DR indiqués par de petits « stops » carrés avant ou après les marquages DUKE ST ou LONDON et pour le plus haut grade après le DUNHILL ; qu’au milieu des années 20 un quatrième grade fut introduit, indiqué par un stop carré avant DUNHILL ; mais je suppose que même avant que ce quatrième « super » grade fasse son apparition au catalogue, il y avait sans doute toujours eu des pipes « spéciales » vendues plus chères que les plus hautes gradations d’alors. Cette pipe au grain droit exceptionnel que j’avais en main, avec son stop plus ovale que carré placé avant et non après le marquage DUNHILL semblait confirmer cette hypothèse.


Loring-ADukeStDR2.jpg

But if the graining approaches perfection, the pipe does not. In fact it has a hairline surface crack running horizontally across half the bowl. Most interestingly it must have been there from the beginning. There is for instance no discoloration indicative of a post sale ‘heat crack’ brought on by over zealous smoking. Moreover, a close inspection of the ‘clean’ side of the bowl shows a potential continuation of the crack just below the surface. This leads me to suspect that in the final sanding and buffing of the bowl the flaw was just barely exposed on one side and left just barely protected on the other, and that when the pipe was initially smoked the exposed crack opened up just enough to make it apparent. If that isn’t enough, as I looked at the pipe closely, I note a three or four natural ‘sand specks’ (as opposed to later smoker made ‘dings’).

But what intrigues me the most is that this pipe with its spectacular grain and regrettable flaws was most certainly reviewed, approved and likely as not, sold by AlfredDunhill himself. In this regard I am reminded of the recent controversy in collector circles over the revelation that some of the very finest modern day continental carvers ‘touch up’ sand specks in their pipes. For in the mid 1910’s the small Dunhill shop on Duke Street was far more akin to the small businesses of those modern day Continental carvers then to the world-wide mega tobacconist it was to become beginning just a few years later.

A decade later most assuredly, if ever so reluctantly, the pipe in hand would have been ‘graded out’ because of its flaws, consigned to be stamped and sold as a Parker given that the bowl walls were hardly thick enough to attempt a switch to the Shell finish. But for a fledgling pipe shop a pipe like this was no doubt far too valuable to be just set aside. All of which brings us full circle back to the nomenclature, and a question. While we can be comfortable that placing the stop before the DUNHILL was indicative of its beautiful graining, was the use of an oval stop accidental or was it intentional, to warn of flaws. I don’t suppose we will ever know, but I suspect that if we were but able to ask Alfred Dunhill today, he would still remember the day a century ago he first held this lovely pipe in his hand and faced the difficult decision of just what was to be done with it.

[I have since been advised by a well experienced pipe maker that in fact the cracks on this pipe are heat cracks]