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Main Page: Difference between revisions
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'''E-H:''' | '''E-H:''' | ||
[[John Eells]] | [[Skip Elliott]] | [[Lee von Erck]] | [[Ron Fairchild]] | [[Michael Fauscette]] (Delta Pipes) | [[Tony Fillenwarth]] | [[Alex Florov]] (Ex Russia) | [[Don Fuhr]] | [[Tim Fuller]] | [[Frederick Garlinghouse]] (Frederick G Pipes) (Broken Pipe) | [[Robert Gebbie]] (R.G.Freehand) | [[Jeff Gracik (J. Alan Pipes)]] | [[Gray Mountain Pipes]] (Mark Gradberg) | [[Jake Hackert]] | [[Jack Howell]] | [[Dr. Grabow]] | [[Kurt Huhn]] | [[John Eells]] | [[Skip Elliott]] | [[Lee von Erck]] | [[Ron Fairchild]] | [[Michael Fauscette]] (Delta Pipes) | [[Tony Fillenwarth]] | [[Alex Florov]] (Ex Russia) | [[Wally Frank]] | [[Mike Frey]] | [[Don Fuhr]] | [[Tim Fuller]] | [[Frederick Garlinghouse]] (Frederick G Pipes) (Broken Pipe) | [[Robert Gebbie]] (R.G.Freehand) | [[Jeff Gracik (J. Alan Pipes)]] | [[Gray Mountain Pipes]] (Mark Gradberg) | [[Jake Hackert]] | [[Jack Howell]] | [[Dr. Grabow]] | [[Kurt Huhn]] | ||
'''I-M:''' | '''I-M:''' | ||
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'''N-P:''' | '''N-P:''' | ||
[[Elliott Nachwalter]] | [[Rolando Negoita]] (US/Romania) | [[Tonni Nielsen]] (Denmark/United States) | [[Brad Pohlmann]] | [[Will Purdy]] | [[Elliott Nachwalter]] | [[Rolando Negoita]] (US/Romania) | [[Tonni Nielsen]] (Denmark/United States) | [[Brad Pohlmann]] | [[Paul Perri]] | [[Will Purdy]] | ||
'''Q-T:''' | '''Q-T:''' | ||
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'''U-Z:''' | '''U-Z:''' | ||
[[B.A.Weaver]] | [[Tim West]] | [[Randy Wiley]] | [[Yello-Bole]] see also ([[S. M. Frank & Co. Inc.]]) | [[B.A.Weaver]] | [[Tim West]] | [[Jack Weinberger]] | [[Randy Wiley]] | [[Yello-Bole]] see also ([[S. M. Frank & Co. Inc.]]) | ||
Like the rest of modern American culture, American pipe making is heavily influenced by the European schools, although Asian aesthetics, at least as they play out in pipes, have also become a notable influence. In particular, the Italian, English, and French schools, with their traditional shapes, have formed the basis for the work of many American pipe makers who have pored over collections of old Dunhills, Barlings, GBDs, Costellos, Savinelli's, etc. Many of these shapes were well established by the 1920s. Others are heavily influenced by the makers of Danish high grade pipes, who have likewise been influenced by their mentors, the fathers of the Danish freehand movement of the 1950's and '60s. | Like the rest of modern American culture, American pipe making is heavily influenced by the European schools, although Asian aesthetics, at least as they play out in pipes, have also become a notable influence. In particular, the Italian, English, and French schools, with their traditional shapes, have formed the basis for the work of many American pipe makers who have pored over collections of old Dunhills, Barlings, GBDs, Costellos, Savinelli's, etc. Many of these shapes were well established by the 1920s. Others are heavily influenced by the makers of Danish high grade pipes, who have likewise been influenced by their mentors, the fathers of the Danish freehand movement of the 1950's and '60s. | ||