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'''Q-T:''' | '''Q-T:''' | ||
[[Tony Rodriguez]] | [[Curt Rollar]] | [[Larry Roush]] | [[Brian Ruthenberg]] (Briar Art) | [[RC Sands]] | [[Joel Shapiro]] (JS Pipes) | [[Ben Scofield]] | [[Max Schulte]] | [[Denny Souers]] | Vic Steinhart | [[Trever Talbert]] (France/United States) | [[Tatum's Workshop]] (Paul Tatum) | [[Scott Thile]] | [[Mark Tinsky]] | [[Tony Rodriguez]] | [[Curt Rollar]] | [[Larry Roush]] | [[Brian Ruthenberg]] (Briar Art) | [[RC Sands]] | [[Joel Shapiro]] (JS Pipes) | [[Ben Scofield]] | [[Max Schulte]] | [[Denny Souers]] | Vic Steinhart | Robert Story]] | [[Ken Sturgill]] | [[Trever Talbert]] (France/United States) | [[Tatum's Workshop]] (Paul Tatum) | [[Scott Thile]] | [[Mark Tinsky]] | ||
'''U-Z:''' | '''U-Z:''' | ||
[[Robert Waughtel]] | [[B.A.Weaver]] | [[Tim West]] | [[Jack Weinberger]] | [[Steve Weiner]] (Broken Pipe) | [[Randy Wiley]] | [[Yello-Bole]] see also ([[S. M. Frank & Co. Inc.]]) | [[Randolph Ubben]] | [[Robert Waughtel]] | [[B.A.Weaver]] | [[Tim West]] | [[Jack Weinberger]] | [[Steve Weiner]] (Broken Pipe) | [[Randy Wiley]] | [[Yello-Bole]] see also ([[S. M. Frank & Co. Inc.]]) | ||
Like the rest of modern American culture, American pipe making is heavily influenced by the European schools, although Asian aesthetics, at least as they play out in pipes, have also become a notable influence. In particular, the Italian, English, and French schools, with their traditional shapes, have formed the basis for the work of many American pipe makers who have pored over collections of old Dunhills, Barlings, GBDs, Costellos, Savinelli's, etc. Many of these shapes were well established by the 1920s. Others are heavily influenced by the makers of Danish high grade pipes, who have likewise been influenced by their mentors, the fathers of the Danish freehand movement of the 1950's and '60s. | Like the rest of modern American culture, American pipe making is heavily influenced by the European schools, although Asian aesthetics, at least as they play out in pipes, have also become a notable influence. In particular, the Italian, English, and French schools, with their traditional shapes, have formed the basis for the work of many American pipe makers who have pored over collections of old Dunhills, Barlings, GBDs, Costellos, Savinelli's, etc. Many of these shapes were well established by the 1920s. Others are heavily influenced by the makers of Danish high grade pipes, who have likewise been influenced by their mentors, the fathers of the Danish freehand movement of the 1950's and '60s. | ||