A Salmagundi of Briar Pipe Shapes and Names: Difference between revisions

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<blockquote>Names assigned to various shapes may or may not have relevance to the form of their shape. Names like Apple, Pear, and Pot describe outer shape resemblance to those objects, but there is nothing that resembles a Prince. …A few decades ago the selection of shapes was much smaller than today and most of those shapes were produced in all countries in essentially similar forms. They became the ‘Classic’ or ‘Standard’ shapes. They are still produced, but enormous competition among pipe manufacturers forced a continuous search for new shapes. The easiest way for a manufacturer to develop a new shape was to make small, insignificant changes on classic shapes, compatible with his machinery (''Pimo’s Guide to Pipe-Crafting at Home'', 1976).</blockquote>  
<blockquote>Names assigned to various shapes may or may not have relevance to the form of their shape. Names like Apple, Pear, and Pot describe outer shape resemblance to those objects, but there is nothing that resembles a Prince. …A few decades ago the selection of shapes was much smaller than today and most of those shapes were produced in all countries in essentially similar forms. They became the ‘Classic’ or ‘Standard’ shapes. They are still produced, but enormous competition among pipe manufacturers forced a continuous search for new shapes. The easiest way for a manufacturer to develop a new shape was to make small, insignificant changes on classic shapes, compatible with his machinery (''Pimo’s Guide to Pipe-Crafting at Home'', 1976).</blockquote>  


“In all, some 1600 different pipe styles come out of Saint-Claude...” (John A. Linkletter, “The Art of Making Briar Pipes,” Popular Mechanics, February 1977). “Pipe designs that have become classics over the years combine smoking comfort with a pleasing shape and balance” (Garth Graves, “Carve your own dream pipe,” ''Popular Mechanics'', May 1977). “A number of other names given have meanings which can be guessed at, and a few names, such as a ‘Dublin,’ refer to bowl shapes which still exist in today’s brier pipe industry” (Iain C. Walker, ''Clay Tobacco Pipes'', 1977). ''The Encyclopedia of Collectibles'' (Volume 12, 1978): “…each standardized [briar pipe] shape has its own name, in many cases purely fanciful.”   
“In all, some 1600 different pipe styles come out of Saint-Claude...” (John A. Linkletter, “The Art of Making Briar Pipes,” ''Popular Mechanics'', February 1977). “Pipe designs that have become classics over the years combine smoking comfort with a pleasing shape and balance” (Garth Graves, “Carve your own dream pipe,” ''Popular Mechanics'', May 1977). “A number of other names given have meanings which can be guessed at, and a few names, such as a ‘Dublin,’ refer to bowl shapes which still exist in today’s brier pipe industry” (Iain C. Walker, ''Clay Tobacco Pipes'', 1977). ''The Encyclopedia of Collectibles'' (Volume 12, 1978): “…each standardized [briar pipe] shape has its own name, in many cases purely fanciful.”   


“Pipe shape names seem to differ by manufacturer. …You will see many more exciting shapes in the world of pipes, hand-made by individual craftsmen, while some will be stock shapes in use by specific companies Each company has unique names given to their sleight [sic] variations on shape. …The calabash can be almost any shape, receiving it’s [sic] name for the combination of gourd and meerschaum rather than the actual shape” (Royce Davis, The Gentleman’s Guide to Pipe Smoking, 2013). And this, “Commercially designed tobacco pipes take refined shapes with curved contours, while those hewn by artisans often employ eccentric form” (Celia Rabinovitch, ''Duchamp’s Pipe'', 2020).  
“Pipe shape names seem to differ by manufacturer. …You will see many more exciting shapes in the world of pipes, hand-made by individual craftsmen, while some will be stock shapes in use by specific companies Each company has unique names given to their sleight [sic] variations on shape. …The calabash can be almost any shape, receiving it’s [sic] name for the combination of gourd and meerschaum rather than the actual shape” (Royce Davis, The Gentleman’s Guide to Pipe Smoking, 2013). And this, “Commercially designed tobacco pipes take refined shapes with curved contours, while those hewn by artisans often employ eccentric form” (Celia Rabinovitch, ''Duchamp’s Pipe'', 2020).  

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